The Politics of Place – the 2017 SHU Space & Place Group Workshop, 28 June 2017

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This year the SHU Space & Place Group’s workshop day is themed around “The Politics of Place”. Drawing across an array of disciplinary traditions and perspectives, our presenters will invite participants to explore the ways in which (subtly and explictly) politics permeates place, and place frames politics. Our event will take an expansive definition of “the political”, but with a particular interest in the political character of seemingly prosaic, everyday spaces.

The event is free to attend. We are currently seeking funding for refreshments and a light lunch and will advise delegates nearer the time on whether these will be provided as part of the event. If they are not, there will be opportunity for you to ‘buy your own’ in our venue’s cafe.

SHU SPG events are open to all, and whether SHU staff or beyond our institution. A physical limit is set for by the capacity of the venue, thus registration will be on a ‘first come first served’ basis. Please register here: https://www.eventbrite.com/e/the-politics-of-place-the-2017-shu-space-place-group-workshop-tickets-34284938173

WHEN?

9am-4.45pm, Wednesday, 28 June 2017.

WHERE?

The Moot Suite (Heart of the Campus, HC.0.03), Sheffield Hallam University, Collegiate Campus, Sheffield S10 2BP.

THE PROGRAMME

9.00-9.30: Arrival

9.30-9.35: Intro and welcome by session chair – Luke Bennett (Built Environment), SHU

9.35-10.00: Co-designing a trans-European pedagogical mapping tool for solidarity economies

Julia Udall (Architecture), SHU

10.00-10.25: De Stoep: The role of order in enabling socio-spatial expansion in the Dutch public private interface

Kaeren Harrison (Landscape Architecture), SHU

10.25-10.50: Essaying litter: affect, language, place

Joanne Lee (Visual Communication), SHU

10.50-11.15: Looking after freedom: politics, performance and place in Cape Town (via Skype)

Danielle Abulhawa (Performance), SHU & Sarah Spies (Performance), University of Chester

11.15-11.35: REFRESHMENT BREAK

11.35-11.45: Saved for the Nation? Politics, protests and preservation.

Carolyn Gibbeson (Real Estate), SHU

11.45-12.05: ‘I think you need confidence to look in there’: women, sex shopping and the sexual self

Rachel Wood (Sociology & Politics), SHU

12.05-12.25: The power of charity spaces

Jon Dean (Sociology & Politics), SHU

12.25-12.45: Going to the (super)market: how might we research food and place?

Beth W. Kamunge (Geography), University of Sheffield

12.45-1.15: Panel discussion led by session chair – Carol Taylor (Education), SHU

1.15-2.00: LUNCH

2.00-3.15: Inside, Outside (an activity)

James Corazzo (Graphic Design), Jerome Harrington (Fine Art), Becky Shaw (Fine Art), SHU

3.15 – 3.30: REFRESHMENT BREAK

3.30 – 4.45: Presencing power: how can we use interdisciplinary methods to illuminate and/or confront the politics of place?

Luke Bennett (Built Environment), SHU & Morag Rose (Urban Studies and Planning), University of Sheffield

4.45: Close

A copy of the programme, complete with abstracts, is available here: SHU Space & Place workshop June 2017 – programme & abstracts

About the SHU SPG

The interdisciplinary SHU Space and Place Group was set up in 2012 by Jenny Blain (Sociology), Luke Bennett (Natural & Built Environment), Cathy Burnett and Carol Taylor (Education) to explore the common ground between our various interests in space and place. It meets 2-3 times a year to discuss conceptual, methodological and practical issues around the question “how do we make sense of the spaces and places within which stuff of interest to us happens?”. We are always keen to welcome new voices into our conversation, both within SHU and beyond. Please contact Luke Bennett if you’d like to be added to our mailing list: l.e.bennett@shu.ac.uk.

Accessability

There are no car parks and extremely limited on-street parking near Collegiate Campus. We recommend parking in the city and walking or travelling by public transport to the campus. If you’re a blue badge holder, you can arrange parking at either campus by phoning 0114 225 3868. The HOTC building has several blue badge specific parking spaces right next to the main entrances. The Moot Suite has two entrances, one upper and one lower; access to the former is on the regular ground level, the latter has a wheelchair-specific lift to negate the few steps.

IMAGE CREDIT: A Lazy Day At Speaker’s Corner, http://www.urban75.org/blog/images/hyde-park-speakers-corner-09.jpg

Ruinphobia, the New Ruins and the anti-ruination reflex – my newly published chapter is out

1988 ruined shop

“The problems associated with empty properties are considerable. They attract vandalism and increase insecurity and fear. And this all reduces the value of surrounding businesses and homes. So the decision to leave a property empty is not just a private matter for the landlord. It affects us all.”

Mary Portas, The Portas Review: The Future of Our High Streets, 2011, p 35.

Portas here reveals that any discussion of transience and permanence in urban development engages deeply embedded cultural assumptions about utility and progress. I explore the origins and effects of this anxiety in a contribution to a recently published collection of essays on the theme of temporary re-uses of vacant urban property. In my chapter I show how an underlying ruinphobia quitely but powerfully shapes the fate of abandoned buildings, regardless of how some might more loudly valorise them through a ruinphiliac (or ruin lusty) gaze.

In my chapter I place recent (largely ruinphiliac) ruin studies scholarship in the arts and humanities alongside insights from both critical urban studies and the more professionally focused concerns of real estate practitioners in order to see what happens when ruinphobia and ruinphilia try to inhabit the same space. As a taster here’s a snippet, in which I set up the juxtaposition by taking Edgar Allan Poe’s Fall of the House of Usher off for a walk in a direction he didn’t intend:

“The ruin is a provocative mix of time and matter – it shows us simultaneously the longevity and the ephemeral nature of both buildings and their uses. It also holds a mirror up to our relationship with their constituent matter, destabilising our perception of and reaction to the building as a whole, and the building as an assemblage. It is also paradoxically both a lawless prospect – and yet strangely of the law. To pursue these points let us dwell for a moment at the threshold of The House of Usher. Let us imagine that we are standing there with Edgar Allan Poe’s unidentified narrator as he looks upon the bleak vista, scrutinising the building before him and searching out its sublime import:

“more narrowly the real aspect of the building. Its principal feature seemed to be that of an excessive antiquity […] yet all of this was apart from any extraordinary dilapidation. No portion of the masonry had fallen; and there appeared to be a wild inconsistency between its still perfect adaptation of parts and, the crumbling condition of the individual stones” (Poe, 2003, p 94)

But what if we re-contextualise the scene, replacing Poe’s intimated ruinphiliac frisson with a workaday ruinphobia? Then – perhaps – our unidentified narrator becomes the occupant’s tax adviser, come to advise the decrepit titular owner upon demolition or a creative ruination ruse to avoid Business Rates. Perhaps he has come to disassemble the building, totting up as he looks on, how many stone blocks, lead pipes and copper cupolas the House of Usher will yield when levelled. Perhaps he has come from the local council and will shortly serve legal notice upon the owner, commanding corrective works under the Building Act 1984. Perhaps he has come from next door, alleging recourse against Usher under the common law principles of Private Nuisance, for damage sustained by his own property caused by this decaying structure. Perhaps he is a local councillor concerned about the adverse effects of this dereliction upon the amenity of the neighbourhood, and is contemplating the scene with a view to producing a report to his Council’s cabinet in favour of action being ordered under Section 215 Town & Country Planning Act 1990. Perhaps he is the local crime prevention officer attending to warn the owner that the degenerating condition of his place is a magnet to crime. Perhaps he is an insurance broker, steeling his nerve before breaking the news to his client that policy premiums are now prohibitively expensive, on account of the recent decline of this once stately house.

The Fall of the House of Usher is fiction, it is just a story. It is presented as an entertainment – predicated on the assumption that there is a willing audience for tales that summon the prospect of standing, contemplating the degeneration of a ruinous building, and getting some unsettling thrill from vicariously doing so, whilst reading the story in the safety of our own warm, cosy and familiar homes.  But, much as we might enjoy TV crime shows and their grizzly exceptionality, we do so only from a safe distance: we only want ruination in controllable amounts, too much or its occurrence at a time and place not of our choosing is cause for a different type of unsettling – one that calls for action, intervention and eradication of the ruin.”

The edited collection in which my essay appears is Transience & Change in Urban Development (ed. John Henneberry, Wiley-Blackwell, 2017), and its rather pricey (more details here). But there’s an early version of what eventually became my chapter here, worked up with some initial help from my SHU colleague Jill Dickinson. The book’s chapters derive from an international EU funded workshop convened by John Henneberry in January 2015.

Image credit:

Abandoned shop front, 1988: https://uk.pinterest.com/pin/414190496956316175/

 

Programme announced for a Legal Geography Workshop, at the University of Bristol, Tuesday 25 April 2017

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A few months ago we issued a CFP for our forthcoming informal Legal Geography Workshop. We have been delighted with the response and can now announce the programme for the day (NB: programme now shown as expanded on 4 April 2017):

Legal Geography Workshop: Bristol

Tuesday, 25th April 2017

8-10 Berkeley Square, Bristol, BS8 1HH

10am   WELCOME

  1. 10-10.35am Phil Hubbard – Right to Return
  2. 35-11.00am Sophie Elsmore – Governing by Contract
  3. 00-11.25am Melisa Vazquez – Spatialising Food

11.25-11.40am COFFEE

  1. 40-12.05pm Mario Ricca – Ghostly Condominiums
  2. 05-12.30pm Tayanah O’Donnell – Built by the Sea

12.30-1pm LUNCH

  1. 1-1.25pm Katherine Brickell – Feminist Geolegalities
  2. 25-1.50pm Louise Sarsfield Collins – Reproductive Rights
  3. 50-2.15pm Paige Patchin – Legal Geographies of the Zika Virus

2.15-3.45pm COFFEE

  1. 30-2.55pm Kevin Raleigh – LGBT rights
  2. 55-3.20pm Nick Gill – Courts
  3. 20-3.45pm Antonia Layard – Scales of Brexit

3.45-3.55pm COMFORT BREAK

3.55-4.50pm   CLOSING THOUGHTS & DISCUSSION

  1. 3.55-4.20pm Luke Bennett – Law’s Absence & Closure
  2. 4.20-4.50pm Closing discussion.

The attached Legal Geography Workshop 2017 Bristol Programme and Abstracts is a document setting out the abstracts for each paper.

Non-presenting delegates are welcome at this free event but in order to help us keep an eye on numbers please email me if you’d like to attend: l.e.bennett@shu.ac.uk

This event is a collaboration between:

  • Antonia Layard (Law – University of Bristol);
  • Nick Gill (Geography – University of Exeter);
  • Luke Bennett (Natural & Built Environment – Sheffield Hallam University) and
  • Tayanah O’Donnell (Geography & Built Environment – University of Canberra).

Capture

Image credit: http://www.bristol.ac.uk/media-library/sites/law/images/optomised-images/moot-court-studio-37-interiors_opt.png

“The House that Legal Geography Built: People, Places & Law”: CFP for a legal geography workshop at the University of Bristol on 25 April 2017*

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Call For Papers

For a one-day Legal Geography Workshop at the University of Bristol, UK

On Tuesday 25 April 2017

“The House that Legal Geography Built: Exploring the Imbrication of People, Places and Law”

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*[NB: the date of this event has been changed to Tuesday 25 April 2017 since the original version of this post] 

Legal geographers often describe their field of enquiry as studying the imbrication of people, places and law. We tend to think of imbrication as meaning braiding (following Braverman et al, 2014) or co-constitution (Delaney, 2016). But is this what imbrication actually means? In its OED definition, imbrication is not defined in the way legal geographers generally use the term today. Instead, imbrication’s 17th century origin, (in the sense of being ‘shaped like a pantile’): comes from the Latin imbricat-, covered with roof tiles.

This then is our starting point for this call for papers. How does this imbrication in legal geography actually work? How do the realms of law, spatiality and society fit together, for what purpose and in what circumstances? For while we presume that co-constitution (between people, place and law) is legal geography’s core premise, we also suggest that legal geography is still very much an inchoate cross-discipline, extending, one rooftile at a time. Envisaging legal geography as a project of interlacing, this workshop now aims to focus on the adjacent edges and overlaps. In particular, we are interested in any aspect of legal geography, including work on networks, materialities, affect, gender, race as well as scale, pluralism and performativity (Bennett and Layard, 2015). Of course, this is a relational connection, individual tiles come together to shelter the building as a whole but are also inter-related.

One purpose of this call for (15 mins) papers is to develop a network of all those interested in legal geography. It invites scholars working in human, urban, political geography and law, to offer empirical or theoretical contributions relating to legal geographies. Focusing on linkages, and extensions, papers will demonstrate how their connection illustrates the co-constitution of law, space and place by way of performative or relational significance to the chosen subject matter. In a collaborative setting, can we build legal geography still further? And if we do, what will the roof look like? We invite you to join us to find out.

If you would like to present a paper – or a sketch of a paper – please submit a title and abstract to antonia.layard@bristol.ac.uk by 15 March 2017.

This event is being organised by:

  • Antonia Layard (Law – University of Bristol);
  • Nick Gill (Geography – University of Exeter);
  • Luke Bennett (Natural & Built Environment – Sheffield Hallam University) and
  • Tayanah O’Donnell (Geography & Built Environment – University of Canberra).

The workshop is free to attend (we will announce the finalised programme and booking arrangements in the early April). We are not able to cover any travel or subsistence costs for speakers or delegates but hope for coffee and cake at the very least. If you are interested in legal geography but cannot make the workshop do let us know, we will compile a mailing list for anyone interested in the field.

Image credit:  Zola aka. Zhou Shuguang (http://zola.fotolog.com.cn/1671942.html) [CC BY-SA 2.5 (http://creativecommons.org/licenses/by-sa/2.5)%5D. The owners of this Chongqing “nail house” refused to leave it, thwarting plans for a shopping mall.

Making Common Ground at Furnace Park: place, purpose and familiarisation

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I’ve been increasingly exploring the stabilities of place. In recent years writers on place have tended to emphasise place’s flux: the way in which it is a momentary, fragile assemblage of the varied intentions, actions and desires of those who happen to be present in (or otherwise having influence over) any seemingly coherent action-space. I get this kick against formalism, but I think that it tends to present place as too fluid. My recent projects have been examining various ways by which places become stabilised (and replicated). My recent article (details here) on the role of law in shaping the form and proliferation of the ‘classic’ cotton mill published in Geoforum earlier this year is an early outing on this. And now – after three years of gestation, my article co-written with Amanda Crawley Jackson of the University of Sheffield has been published in Social and Cultural Geography. At the end of 2012 I was invited to observe the site assembly process for the experimental Furnace Park project, and specifically to think about how the project came together in that first phase – how ‘common ground’ came about both amongst the diverse range of stakeholders (all with their own orientation on what this prospective place would be) and also how those (human) protagonists made common ground with the ground itself. Amanda and I then set out to write our joint paper, and to find our own disciplinary common ground (and once we’d found it, then reconcile it with the differing views of our article’s peer reviewers and editors). In due course our text – and its various iterations – took on much of the machinations of the place-making and its pressures towards attunement and accommodation.

Our article is available to view here for free (for the first 50 uses of this link). I’m not going to re-write the article here, but here’s the abstract as a taster, which explains that it was written as part of a special issue on the ‘geographies of strangers and strange encounters’:

“In this article we seek to widen the debate about the sites and processes of encounter with strangers by examining the ways in which ‘strangeness’ necessarily fades within the familiarisation processes at play in any sustained and situated place-making. Our analysis draws upon our experiences of encountering strangers – and of our familiarisation with them – in the initial, year-long, site acquisition and preparation phase of a project to create Furnace Park, an experimental urban space in a run-down backwater of central Sheffield. We show the tensions between a project commitment to the formation of a loose, open place and the pressures (which arose from our encounters with the urban development system) to render both the project and the site certain, bounded and less-than-strange. Furthermore, at Furnace Park the site itself presented to us as a non-human stranger, which we were urged to render familiar but which kept eluding that capture. We therefore show how the geographies of strange encounters could productively be widened to embrace both recent scholarship on the material-affective strangeness of ground itself, and a greater attentiveness to the familiarisation effects born of the intersection of diverse communities of practices within place-making projects.”

The first iteration of our joint paper was presented at the ‘geographies of strangers’ session at the 2013 Royal Geographical Society Annual Conference, and we were subsequently invited aboard this special issue project. I think we are the only article that regards ground itself as a stranger, which considers place-making (and in particular professional interactions) as anything to do with strangers, and which emphasises that strangeness (and familiarity) are both unstable, perhaps necessarily so in place-making.

Our claim to novelty is perhaps also captured in the following paragraph (taken from our article):

“Our aim in this article is to present a case study examination of how the unknown – or strange to us – was encountered and how it was familiarised within our place-making endeavours. Our article broadens the place-making-by-encounter-and-familiarisation scholarship in three ways: first by being an ‘insider’ account – a reflexive examination by us as academics implicated in the making of a place; secondly, by our concern to focus not upon the transformative (or otherwise) effects of human to human encounter, but instead upon our human encounters with the unknown materiality of the case study site, thus figuring the site itself as a stranger; thirdly, by our concern to show  the directive, shaping role of pre-existing cultural expectations brought to our site, and our project, by the myriad (human) stakeholders who needed to come together to make the project happen. Here we seek to show how these expectations drove forward an attempted (but never fully realised) elimination of the unknown and of how a restless surplus of strangeness remained.”

Amanda is the director of the Furnace Park. It is now an up-and-running project, with details of the site’s many past and future events, alongside Amanda’s wider projects with the occursus collective showcased here. My involvement ended after site assembly, but the insights from working on this paper have certainly influenced my subsequent projects, such as the prospective St Peter’s, Kilmahew stabilisation project (details here) and work that I’m currently doing on the peculiarities of contingent places (yes, that’s more bunkers).

 

 

Mill-mania: how does law spread place-formations? My new Geoforum article

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“we all looked up to him and imitated his mode of building…our buildings were copied from the models of his works”

Sir Robert Peel, 1816 Parliamentary Inquiry on the factory system

It’s almost trite in cultural geography to state that place is a multiplicity of individual and collective framings, that it has no singularity and is a flux or swirl of moment by moment encounters. Yes, fine – but surrounding that experiential swirl there are stablisations, common and shared framings which do take root and then influence those encounters. These also act to influence the form and evolution of a locality and they also have the power to influence the framing and evolution of other places. In short, some place-types become clear and potent. In the last couple of years (when not thinking about the potency of the cultural framing of abandoned bunkers) I’ve been thinking about the genesis of one now very dominant (and taken for granted) place-formation: the industrial scale factory. And I’ve done this by looking at the moment, 250 years ago when ‘the factory’ emerged almost accidentally as a new spatial form, and how it became stabilised and started to spread. I’ve been particularly interested in looking at law’s role in the framing of this (then) nascent place-formation.

Accordingly, my article published yesterday in Geoforum (free access here until 12 August) examines how law is implicated in the formation of ‘factory’ as a type of place, and how in turn such places shaped law. It is an empirical exploration of Bruno Latour’s call for researchers to study the global through its local instantiations. Drawing upon recent theoretical work in both material culture studies and legal geography my article examines the interplay of law and material formations at one originating site, Sir Richard Arkwright’s Cromford Mills in Derbyshire in order to examine the creation and circulation of a new form of place in the late eighteenth century: the industrial scale cotton mill. It shows how a diverse array of legal elements ranging across patent law, the textile tariffs and ancient local Derbyshire lead mining laws all helped to shape the cotton-mill as a place-form, its proliferation across the United Kingdom, and ultimately further afield. In doing so the article conceptualises processes of localisation, translocalisation and thing-law by which the abstractions of both place-forms and law elements become activated through their pragmatic local emplacement. Whilst the case study concerns 200 year old place-making machinations, many of the spatio-legal articulations of Arkwright and his opponents have a surprisingly modern feel about them. The paper therefore advocates the benefits of a longitudinal, historical approach to the study of place-making, and in particular, calls for a greater attentiveness in legal geography to law’s role in the intentional formation of (work)places by their owners.

In my article Cromford Mills is presented as an exemplar of Latour’s maxim that “the world is … brought inside … places and then, after having been transformed there … pumped back out of [their] narrow walls” ( Latour, 2005, 179, italics in original). Whilst both the actions of Arkwright and the influence of Cromford Mills are atypical, and few industrialists have ever engaged in such sustained and well documented lobbying and litigating, or produced industrial places that were so directly replicated, the atypical extremity of Arkwright’s industry-forming story, and the influence of Cromford Mills as an emergent place-model, helps us – via sharp relief – to witness processes of localisation and translocalisation that would be harder to spot in more mundane circumstances. Through Arkwright’s plethora of place-making efforts we see the ways in which law enables a place to stabilise (and prosper) through the localisation of law’s command and permission in specific spatial circumstances. We also see how law has the power to crush or alter any place. In the campaigning against the Calico Acts we see the role of lobbying around thing-law, the all-important framing of the matter that will matter at a particular place ( Barad, 2007). In the proximate influence of the place-formations of Derbyshire mining laws we see the multiplicity of place-law, and its tensions and resolutions.

Also, even through the spatio-legal place-making machinations described in this case study took place over 200 years ago, they are surprising time-less in their feel. There is nothing particularly ‘eighteenth century’ about the strategic dilemmas and tactical choices that the early factory masters wrestled with, or in the ways in which we have seen law being used tool-like in some situations or left ‘on the shelf’ in favour of some other solution in others. In the case study we have seen elements of the law (and the case study reminds us the that ‘the law’ is not a coordinated, monolithic system, but rather a swarm of only loosely associated discursive elements and pragmatic applications) sometimes present as enabling Arkwright’s project, and at others presenting challenges to it, challenges to be met sometimes by a legal solution, sometimes by some other manoeuvre, in each case rationally selected.

Picture credit:

http://www.dovedalemodels.co.uk/cromford-mill-model/

Details of the 11th May 2016 SHU Space & Place Workshop day – programme, registration link and abstracts

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Does your discipline engage with matters of space and place?

Most do, albeit at a variety of scales, in myriad ways and for many divergent reasons. In his 2012 book, The Memory of Place, Dylan Trigg suggests that an interdisciplinary ‘place studies’ has emerged in recent years at the intersection of philosophy, geography, architecture, urban design and environmental studies. But in our experience the ambit of place studies is even wider, for our group also includes SHU place-researching academics from education, management studies, law, sociology, psychology, real estate and performance studies.

The interdisciplinary SHU Space and Place Group was set up in 2012 by Jenny Blain (Sociology), Luke Bennett (Natural & Built Environment), Cathy Burnett and Carol Taylor (Education) to explore the common ground between our various interests in space and place. It meets 3-4 times a year to discuss conceptual, methodological and practical issues around the question “how do we make sense of the spaces and places within which stuff of interest to us happens?”.

We are always keen to welcome new voices into our conversation and we’ve organised our (informal) ‘conference’ on 11 May 2016 as a way of widening participation in the Group’s endeavours. It will also showcase what we’ve already achieved through our group’s open and creative collaborations.

There will be talks in the morning (see bottom of this post for the abstracts):

9.00 – 9.20      REGISTRATION

9.20-9.30        INTRODUCTION TO THE SPG AND THE DAY

Luke Bennett – Senior Lecturer, Department of the Natural & Built Environment,

09.30-11.00       SPATIAL REPRESENTATIONS: FOUR VIEWS OF PLACE

Chair: Carol Taylor, Reader, Sheffield Institute for Education, SHU

9.30 – 9.50 Joanne Lee – Senior Lecturer in Graphic Design, Sheffield Institute of Arts –Exploring a vague terrain

9.50 – 10.20 Chi-Yun Shin – Principal Lecturer in Film Studies at Sheffield Hallam University –Liminal Zone: Rooftops in Cinema

10.20 – 10.40 Kaeren Harrison – Senior Lecturer, Department of the Natural & Built Environment, SHU – Place and interface in late 20th century mass housing

10.40 – 11.00 Val Derbyshire – PhD Candidate, Department of English Literature, School of English, University of Sheffield – In Pursuit of the Picturesque: Places and Spaces within the Works of Charlotte Smith (1749-1806)

11.00 – 11.20        COFFEE BREAK

11.20 – 12.50        IN-PLACE: IDENTITY, CREATIVITY AND LEARNING

Chair: Ian Ellison, Senior Lecturer, Sheffield Business School

11.20-11.40 Jenni Brooks – Senior Lecturer, Department of Sociology, Psychology and Politics, SHU – Constructing identity: finding a space in someone else’s workplace

11.40-12.00 Jenny Slater – Lecturer in Education Studies, Sheffield Institute for Education, SHU – Conversations around the toilet…

12.00-12.20 Andrew Middleton – Head of Academic Practice & Learning Innovation, SHU –Vernacular, interstitial and dominant spaces: what they mean for learning at university.

12.20-12.50 Eve Stirling – Senior Lecturer, Interior Design, Sheffield Institute of Arts – Social media places as sites for creative production.

12.50 – 1.10         GROUP DISCUSSION ON THE MORNING PAPERS

1.10 – 2.00           LUNCH

2.00 – 5.00           EXPLORING THE HEART OF THE CAMPUS

In the afternoon session we intend to explore SHU’s new Heart of the Campus area, and use a variety of contrasting research methods to do so. The group attempted something similar at the former Southbourne building in 2013, and one of the papers arising from that – Jon Dean’s study of the assignment management zone and its sociality – has recently been published in the journal Qualitative Inquiry http://qix.sagepub.com/content/early/2015/11/19/1077800415605050.

All are very welcome – please forward to anyone interested in participating. We will circulate a full programme once finalised and give directions on how to book a place. The event will be free to attend,and places are limited, so early booking is recommended.

Accessability

There are no car parks and extremely limited on-street parking near Collegiate Campus. We recommend parking in the city and walking or travelling by public transport to the campus.

If you’re a blue badge holder, you can arrange parking at either campus by phoning 0114 225 3868. The HOTC building has several blue badge specific parking spaces right next to the main entrances. The Moot Suite has two entrances, one upper and one lower; access to the former is on the regular ground level, the latter has a wheelchair-specific lift to negate the few steps.

WHEN?

Wednesday, May 11, 2016 from 9:00 AM to 5:00 PM (BST) – Add to Calendar

WHERE?

Heart of the Campus Building, Room HC 0.03 (The Moot Suite), – Sheffield Hallam University Collegiate Campus, Collegiate Crescent, Sheffield S10 2BP, United Kingdom – View Map

HOW TO BOOK

Here’s the Eventbrite booking link: https://www.eventbrite.com/e/shu-space-place-group-workshop-day-tickets-23241847993?ref=estw We have a limit of 40 places, so please book early to avoid disappointment. Light refreshments and a sandwich lunch are being kindly sponsored by the Department of Psychology, Sociology & Politics. A cafe is also available on site for more exotic purchases.

ABSTRACTS

Session 1 : SPATIAL REPRESENTATIONS: FOUR VIEWS OF PLACE

Joanne Lee: Exploring a vague terrain

Senior Lecturer in Graphic Design, Sheffield Institute of Arts (SHU)

This paper will present recent work on space and place emerging from Returns, a collaboration between artist-researchers at Sheffield Hallam University and Nottingham Trent University, which developed from Topographies of the Obsolete, an international cross-disciplinary initiative focusing on post-industrial landscapes. An artists residency for the project enabled me to make a photographic exploration of surfaces and artefacts found at the former Spode ceramics factory in Stoke-on-Trent; this prompted a return to previous research I’d pursued on places lying in between use, and as a result I went on to discuss and reframe a series of actual and conceptual terrains vagues in my Pam Flett Press independent serial publication. Since then, having recently moved back to Sheffield, I have been walking and photographing urban lanes in the city in order to consider how close visual attention to their most infra-ordinary aspects both reveals and transforms the complexity of these sites.

Chi-Yun Shin

Principal Lecturer in Film Studies at Sheffield Hallam University

Liminal Zone: Rooftops in Cinema

At the beginning of the climatic scene of the 2010 comedy action film Date Night, Tina Fey’s Claire Foster tells the mob boss Joe Miletto to give them a minute as they’re “trying to do a rooftop thing”.  Although it is never clear what the character (a suburban, married woman) meant by this rooftop thing, this remark constitutes the film’s self-conscious or self-aware moment, as it leads to a spectacular appearance of the NYPD helicopter at the count of three.  And it is the rooftop space – whether it is a set or real location – that allows this showdown.  With its uniquely liminal quality (in-and-outside-ness) and inbuilt riskiness, the rooftop space is a cinematic site that articulates or facilitates a tipping point or crisis in the narrative or action, whether it is chases, murders, suicides, secret meetings, celebrations or protests.  Paying attention to the consistent qualities such as generic patterns (be it in superhero films or romantic comedies), or particular narrative modes associated with rooftop space, this paper explores the rich relationship between film and rooftop space.

Kaeren Harrison

Senior Lecturer, Department of the Natural & Built Environment, SHU

Place and interface in late 20th century mass housing

Over the last fifty years housing development has been increasingly dominated by mass delivery through private sector speculative builders. This suburban housing typology has attracted extensive criticism including that it is ’anywhere housing’ and lacks a ‘sense of place’. There is however little empirical research into place within this residential context. The use of Lefebvre’s spatial triad; lived (spaces of representation), conceived (representations of space) and perceived (spatial practice) will be used to explore  how residents, public and academics perceive the relationship between place and the public private interface: defined as ‘components of the urban order where interior becomes exterior, enclosed becomes open, social becomes spatial, public becomes private.’ (Thwaites et al 2013). A qualitative case study will be developed, using research techniques including morphological analysis, photo-elicitation and resident narrative, to explore the interface/place relationship in five residential developments from the nineteen seventies to the present day. This research is being undertaken for a PhD based in the Landscape Department at the University of Sheffield.

Val Derbyshire

PhD Candidate, Department of English Literature, School of English, University of Sheffield   

In Pursuit of the Picturesque: Places and Spaces within the Works of Charlotte Smith (1749-1806)

Charlotte Smith was a poet, novelist, playwright and author of educational works for children.  Within her life, she hardly ever left the area surrounding the South Downs of Sussex and many critics have described her as a regional writer.  However, Smith covered an enormous range of places within both her novels and her poetry and her writing takes her readers upon a global journey across continents. Many of these locations all have one aspect in common: their picturesque and scenic nature.  Looking at some of the landscapes described in Smith’s works, this paper will analyse these scenes and will consider the methods by which Smith’s artistry within her novels and poetry formed part of this wider movement of visual culture of the Romantic era, depicting places which were not necessarily real, but rather artistic renderings of them.  This artificial construction of landscape within her texts then, strangely, seems to lead to the realism of Smith’s novels being made more realistic by virtue of their reliance on artists and their works.

Session 2: IN-PLACE: IDENTITY, CREATIVITY AND LEARNING

Jenni Brooks

Senior Lecturer, Department of Psychology, Sociology and Politics, SHU

 Constructing identity: finding a space in someone else’s workplace

Personal assistants who provide support to physically disabled people in their workplaces occupy a potentially problematic space. They are physically present in their employer’s workplace, and yet to perform their duties effectively, they must become ‘invisible’. They have little autonomy over their work, which is solely to facilitate the independence and work of their employer. Our new research project explores the role of workplace PAs by tapping into the experiences of PAs themselves, the disabled people who employ them, and the disabled people’s employers. How do workplace PAs negotiate their professional identity when they may not be introduced in meetings (other than as ‘the PA’), and their names are not written in minutes? Their employer’s colleagues are not their colleagues. They have no relationship with their employer’s employer – no IT login, no swipe card, no contract. They are present, and yet no proof of their presence exists.

Jenny Slater

Lecturer in Education Studies, Sheffield Institute for Education, SHU

 Conversations around the toilet…

Around the Toilet (https://aroundthetoilet.wordpress.com/) is a cross-disciplinary, arts-based research project, funded through the AHRC, which explores the toilet as a place of exclusion and belonging. Although the toilet is often thought to be a mundane space, for those who lack adequate or accessible toilet provision on a daily basis, toilets become a crucial practical issue which can create and reaffirm feelings of exclusion and regulation. Disabled people, for example, frequently report that ‘accessible’ toilets are not accessible enough, while other studies show that diminishing numbers of public toilets can prevent older people leaving the house. Toilets can also present a stark visual and material enactment of a gender binary in ways that can be problematic for trans, genderqueer or non-binary people. Thinking around toilets and their function as material as well as socio-cultural environments presents an opportunity to consider forms of identity in multi-faceted ways. Researchers on the project are based across three universities (Sheffield Hallam University, University of Sheffield and University of Leeds), and community organisations (Queer of the Unknown (a performing arts collective) Action for Trans* Health and The Loiterers Resistance Movement). In this talk we will reflect on the findings of our project and the arts-based methodologies that allowed for potentially ‘awkward’ conversations.

Andrew Middleton

Head of Academic Practice & Learning Innovation, SHU Learning Enhancement & Academic Development

Vernacular, interstitial and dominant spaces: what they mean for learning at university

The University is committed to developing its understanding of learning spaces fit for the future. But what spaces are we talking about and what do we understand learning to mean? This short presentation will ask us to consider learning, what it means and what it looks like by using Hamilton’s (2000) idea of vernacular literacies as a way to value what Cross (2007) referred to as natural informal learning. We will compare ideas about liminality, translocation and Third Space with notions of the dominant, formal, institutional space. In amongst these ideas of space, learning and literacies, we will examine interstitialility and the lived connections found and made by students as they experience learning through their course. By understanding learning as it is experienced in and across formal and non-formal spaces, a university can begin to foster a deeper learning engagement.

Eve Stirling

Senior Lecturer Interior Design / Programme Leader MA/MFA Design, Sheffield Institute of Art (SHU)

Social media places as sites for creative production.

My work currently focuses on the hyper-layered nature of social media use by students studying on Design courses at a university in the UK. It explores data across Twitter, Instagram and Pinterest, as sites of creative productions.  Social media sites are places of creative production, where the ecosocial systems of student and design company converge. The relationship between the trainee designers studying in a university and the trained designers in the external industry is changing. The mass socialisation of digital and online communications has meant that content is authored, curated, critiqued and reconfigured by a mass of users. Through the collective efforts of the users – posting, liking, commenting and sharing – connection and collaboration takes place. There is a context collapse between creative learning, production and working practices. I present these digital places that connect students and creative industries through their hyperlinked ecocsocial environments.

Image source: http://www.shu.ac.uk/eventservices/venues/heart-campus